Results for subject : "TERMINATOR (MOTION PICTURE)"
A Once and Future War
Cinefex 47:4-59. August 1991.
Alien Messiah in Recent Science Fiction Films
Journal of Popular Film and Television 14(4):158-166. Winter 1987.
Bad Timing: The Metaphysics of the Terminator,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 109-121.
Changing the Future: Fate and the Terminator,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 133-145.
Corman Alumni Cameron, Hurd Joined Forces for Terminator
Variety p. 6. October 31, 1984.
Cyborg Subjectivity.
Ph. D. Dissertation, University of Washington, 2001. (DAI-A 62(8): 2750. February 2002)
Ending The Terminator
Starlog 88: 89-92. November 1984.
Fritz Lang's Metropolis and Its Influence n the American Science Fiction Film: Blade Runner, Terminator I + II
Essen: Verlag Die Blaue Eule, 2005. 88 p.
From Holy Aliens to Cyborg Saviors: Biblical Subtexts in Four Science Fiction Films
Journal of Religion and Film 5(2): [9 p.] October 2001. (Cited from an online posting.)
Gremlins Sweeps Saturn Ceremony
Variety p.6. June 19, 1985.
Harlan Ellison vs. James Cameron: The Terminator, no Mr. Nice Guy
Cinefantastique 15(4):4-5,61. October 1985.
How to Save an Unsaved World? Transforming the Self in The Matrix, The Terminator, and 12 Monkeys,
in: Hart, Kylo-Patrick and Holba, Annette M, eds. Media and the Apocalypse. New York: Peter Lang, 2009. p. 53-66.
It Stands to Reason: Skynet and Self-Preservation,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 39-51.
James Cameron's Marxist Revolution,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 93-105.
Judgment Day is Inevitable: Hegel and the Futility of Trying to Change History,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 146-157.
Machine as Messiah: Cyborgs, Morphs, and the American Body Politic
Cinema Journal 36(4): 57-75. Summer 1997. (Reprinted in: Redmond, Sean, ed. Liquid Metal: The Science Fiction Film Reader. New York: Wallflower Press, 2004. p. 191-204.
Modernity and Subjectivity in The Terminator
Velvet Light Trap 30: 3-17. 1992. [Not seen.]
Predestination in Greek Literature and the Terminator Films
Classical and Modern Literature 21(2): 99-107. Fall 2001.
Recalling Totalities: The Mirrored Stages of Arnold Schwarzenegger
in: Gray, Chris H., ed. The Cyborg Handbook. New York: Routledge, 1995. pp.233-254.
Reinventing Gender: The Figure of the Artificial Human in American Science Fiction
Master's Thesis, University of Connecticut, 1996. 71pp.
Sarah Connor's Stain,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 82-92.
Self-Termination: Suicide, Self-Sacrifice, and the Terminator,
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 190-201.
Should John Connor Save the World?
in: Brown, Richard and Decker, Kevin S., eds. Terminator and Philosophy: I'll Be Back, Therefore I Am. Hoboken, NJ: Wiley, 2009. p. 218-235.
Some Paradoxes of Time Travel in The Terminator and 12 Monkeys
in: Sanders Steven The Philosophy of Science Fiction Film. Lexington, KY: University Press of Kentucky, 2008. p. 103-118.
Special topics: the ghost in the machine: consciousness and the science fiction film
Western Humanities Review 42(3): 249-258. Autumn 1988.
Found 56 items on 3 pages.