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'Beyond the Veil of the Flesh': Cronenbereg an athe Disembodiemnt of Horror

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.231-252.

'Everybody Pays. . . Even for Things They Didn't Do': Stephen King's Pay-out in the Bachman Novels

in: Magistrale, Tony, ed. The Dark Descent: Essays Defining Stephen King's Horrorscape. Westport, CT: Greenwood, 1992. pp.99-112.

'It Will Thrill You, It May Shock You, It Might Even Horrify You': Gender, Reception, and Classic Horror Cinema

in: Grant, Barry K., ed. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. pp.117-142.

'My God, No!': The Varieties of Christian Horror Fiction

in: Langford, Michele K., ed. Contours of the Fantastic. Westport, CT: Greenwood, 1990. pp.131-139.

'The Face of Mr. Flip': Homophobia in the Horror of Stephen King

in: Magistrale, Tony, ed. The Dark Descent: Essays Defining Stephen King's Horrorscape. Westport, CT: Greenwood, 1992. pp.187-201.

1848: The Assault on Reason

in: Gelder, Ken. The Horror Reader. London: Routledge, 2000. p. 20-28.

2006 in Horror

Locus 58(5): 54. May 2007.

A (Sadistic) Night at the Opera: Notes on the Italian Horror Film

in: Gelder, Ken. The Horror Reader. London: Routledge, 2000. p. 324-335.

A Century of Dracula: Going Down for the Count

Cinefantastique 29(4/5): 102-103. October 1997.

A Century of Dracula: Lasteblast

Cinefantastique 29(4/5): 105-106. October 1997.

A Clockwork Evil: Guilt and Coincidence in 'The Monkey'

in: Magistrale, Tony, ed. The Dark Descent: Essays Defining Stephen King's Horrorscape. Westport, CT: Greenwood, 1992. pp.129-136.

A Creed for the Future

Science Fiction Chronicle 15(10): 4-5. September 1994.

A Crude Sort of Entertainment for a Crude Sort of Audience: the British Critics and Horror Cinema

in: Chibnall, Steve/Petley, Julian, eds. British Horror Cinema. London: Routledge, 2002. p. 23-41.

A Darkness Visible: The Case of Charles Brockden Brown

in: Docherty, Brian, ed. American Horror Fiction: From Brockden Brown to Stephen King. New York: St. Martin's, 1990. pp.13-32.

A Descent into the Underworld: Death Line

in: Chibnall, Steve/Petley, Julian, eds. British Horror Cinema. London: Routledge, 2002. p. 145-155.

A Double Feature and a Cartoon for 35 Cents

in: Golden, Christopher, ed. Cut! Horror Writers on Horror Film. New York: Berkley, 1992. pp.161-170.

A Dragon in the Time Machine: The Gross Anatomy of Horror,

Strange Horizons [12 p.] September 7, 2009. (http://www.strangehorizons.com/)

A Drive-In Horror by Default, or, The Premiere of The Hideous Sun Demon,

in: Rhodes, Gary D., ed. Horror at the Drive-In: Essays in Popular Americana. Jefferson, NC: McFarland, 2003. p. 53-66.

A Film is Being Beaten: Notes on the Shock Cut and the Material Violence of Horror

in: Hantke, Steffen, ed. Horror film: Creating and Marketing Fear. Jackson: University Press of Mississippi, 2004. p. 52-81.

A Fun Night Out: Horror and Other Pleasures of the Cinema

in: Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge, UK: Cambridge University Press, 2004. p. 26-54.

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