Results for author : "Heldreth, Leonard G."
Archituecture, Duality, and Personality: Mise-en-Scène and Boundaries in Tim Burton's Films
in: Morrison, Michael A., ed. Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport, CT: Greenwood, 1997. pp.141-160.
Beast Within: Sexuality and Metamorphosis in Horror Films
in: Palumbo, Donald, ed. Eros in the Mind's Eye. Westport, CT: Greenwood, 1986. pp.117-125.
Close Encounters of the Carnal Kind: Sex With Aliens in Science Fiction
in: Palumbo, Donald, ed. Erotic Universe. Westport, CT: Greenwood, 1986. pp.131-144.
Conference Report, ICFA XIII
IAFA Newsletter 5(2): 7-20. Summer 1992.
Dead Child as Fantasy in Albee's Plays
in: Palumbo, Donald, ed. Spectrum of the Fantastic. Westport, CT: Greenwood, 1988. pp.203-208.
Eleven Was a Lucky Number
International Association for the Fantastic in the Arts Newsletter 3(2): 8-21. Summer 1990.
Fantasy as Criticism in Forster's Short Fiction
in: Saciuk, Olena H., ed. The Shape of the Fantastic. New York: Greenwood, 1990. pp.9-20.
Festering in Thebes: Elements of Tragedy and Myth in Cronenberg's Films
Post Script 15(2): 46-61. Winter/Spring 1996.
Fight Club: A Frankenstein for the New Millennium
in: Pharr, Mary, Ed. Fantastic Odysseys: Selected Essays from the Twenty-Second International Conference on the Fantastic in the Arts. Westport, CT: Praeger, 2003. p. 79-88.
Films, Film Fantasies, and Fantasies: Spinning Reality From the Self in Kiss of the Spider Woman
Journal of the Fantastic in the Arts 3(4): 93-106. 1994.
From Reality to Fantasy: Displacement and Death in Albee's Zoo Story
in: Langford, Michele K., ed. Contours of the Fantastic. Westport, CT: Greenwood, 1990. pp.19-28.
ICFA Converses With 1992 G. O. H. Ursula K. Le Guin
IAFA Newsletter 5(2): 24-27. Summer 1992.
Memories . . . You're Talkin' about Memories: Retrofitting Blade Runner
in: Kerman, Judith B., ed. Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Philip K. Dick's Do Androids Dream of Electric Sheep. Bowling Green, OH: Popular Press, 1991. pp. 308-313.
Rising Like Old Corpses: Stephen King and the Horrors of Time-Past
Journal of the Fantastic in the Arts 2(1): 5-14. Spring 1989.
S. P. Somtow's Timmy Valentine: The Vampire as Archetype and Fragmented Reflection
in: Heldreth, Leonard G./Pharr, Mary, eds. The Blood is the Life: Vampires in Literature. Bowling Green, OH: Bowling Green State University Popular Press, 1999. p. 121-138
The Blood is the Life: Vampires in Literature
Bowling Green, OH: Bowling Green University Press, 1999. 275pp.
The Cutting Edges of Blade Runner
in: Kerman, Judith B., ed. Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Philip K. Dick's Do Androids Dream of Electric Sheep. Bowling Green, OH: Popular Press, 1991. pp. 40-52.
The Ghost and the Self: The Supernatural Fiction of Henry James
in: Morse, Donald E., ed. The Celebration of the Fantastic. Westport, CT: Greenwood, 1992. pp.133-140.
Vampires in Film and Television: Introduction
Journal of Popular Film and Television 27(2): 2-3. Summer 1999.
Variations on the Double Motif in Ventriloquist Films: The Great Gabbo, Dead of Night, and Magic
Journal of the Fantastic in the Arts 3(2): 81-94. 1991.
Viewing 'The Body': King's Portrait of the Artist as Survivor
in: Hoppenstand, Gary, ed. The Gothic World of Stephen King. Bowling Green, OH: Popular Press, 1987. pp.64-74.
Found 21 items on 1 page.